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All Access Internship

During the summer of 2025, I had the opportunity to intern at All Access Staging and Productions in both the Fabrication and CAD departments. Throughout the internship, I had amazing times with amazing people, and I learned so much.

I spent the first half of the summer in the shop under Kate Newman and Lowell Chapman, rotating between departments based on each day’s workload. The two departments I spent the most time in were machining, where I operated mills, drill presses, and the CNC machine, and welding, where I helped jig and tack the parts.

My other experiences in the shop included cutting pipes, angles, and flatbar, operating the waterjet, operating the wood CNC machine, building custom wood plug decks and steppers, using the Piranha machine to make x-braces, and my favorite, helping special projects make the stairs for the 2025 FIFA Club World Cup Halftime Show.

It was especially interesting to see how a job moves through departments in the shop, especially having come from a theatre shop where there aren’t specific people in specific departments. Additionally, I loved improving on my technical skills and learning how to use new machines, such as the Piranha and the waterjet.

During the second half of the summer, I worked in the CAD department under Matt Carter. There were three main categories that my assignments fell into: rental jobs, custom jobs, and updating stock parts.

The rental jobs consisted of putting together designs and packets using stock gear, and gave me base experience in Vectorworks and how to configure packets for on-site use. These types of jobs allowed me to see and understand the overall product, which was incredibly helpful in understanding where my role fit into the overall job, not to mention just really cool. Multiple jobs had me excited because I knew the artist, and for two of them, I had tickets to their concerts.

For custom jobs, I used Inventor to design stairs and mobilator carts, and learned the key differences between packets for on-site and in-shop use. I became familiar with Inventor’s Frame Generator tool, which was especially helpful for the mobilator. Custom jobs were exciting because of the novelty and challenge of each part, especially the mobilator.

Finally, updating stock parts involved applying notes from the shop on how they actually build the parts, as well as making Inventor parts and assemblies for stock that just hadn’t yet been added to the vault. I loved getting to better understand what the company offers and how stages actually go together. For example, by updating the ballast models, I was able to learn more about how truss is set up and stabilized.

Throughout the internship, I learned so much about how stages go from design to reality. I was able to work with incredible people, and I’m so grateful to have had this opportunity. All Access has definitely reaffirmed my desire to work in entertainment production, and I’m excited to see how I can take what I’ve learned and apply it to future opportunities.

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The Moors Set Design

The final project for my Intro to Set Design class in the fall of 2025 was to individually design and model a set for either The Moors or Stick Fly, set in one of the theatres on campus. After reading both plays and revisiting the theatres, I ended up choosing The Moors in Leeds Theatre.

During the process, I went through all the steps we learned throughout the semester. Noticeably absent from the project was consideration of costs and of the specifics of building the set. However, included in the project was a script breakdown, visual research, a mood board, a drafting packet, a perspective sketch, painted elevations, and a painted model.

I was already pretty comfortable drafting, as we had done it throughout the semester and I had prior experience from my architecture studio classes. Additionally, the script breakdown was similar to others I had done before. The main challenge for me was the painting, as my painting experience has been minimal. I spent lots of time mixing paints to get the right colors, and even then I didn’t fully capture what I wanted.

Unfortunately, the semester was abruptly cut a few days short, so I was unable to put the finishing touches on the project. Had the semester ended as planned, I would have added details to the sketch and painted elements, as well as removed the flown elements from configuration 2 of the model.

Deliverables

Model Configuration 1
Model Configuration 2
Model Configuration 3
Painted Elevations

Process Photos

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Unfolded Plan – Vanna Venturi House

This assignment was completed in my Architectural Projections class in spring 2025, and focused on the Vanna Venturi House. I hand-drafted one plan, two sections, and two elevations on vellum paper after finding drawings online and scaling them appropriately.

One thing I came to understand through this assignment was the importance of line weights. Their impact is most prominent in the plan and sections, as it is clear what is cut through vs what lies behind the cutline. Little things like line weight may not seem to be important when you start, but I could clearly see the impact they had when looking back at my process photos.

This differed from a general drafting assignment in that we added key images alongside the drafting. I quite like this practice, as it emphasizes how the clear cut drafting can be brought to life. While the exterior pictures exemplify the elevations overall, the interior images focus on a specific aspect of the house – stairs, which brings to light my interpretation of the house’s key elements.

Logistically, the most challenging part was getting the online drawings properly scaled and aligned. Each drawing had to be printed on a separate piece of paper then taped together, aligned with each other and the edge of my drafting desk.

Process Photos

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Portfolio

Air Quality Monitor

In my Design Brief class in the spring of 2025, my group, comprised of Angela Xu, Olivia Napoleon, Sydney Meza, and me, designed and built a low-cost, quantitative air quality monitor for Dr. Diana Grigsby-Toussaint. Over the course of two months, we researched, prototyped, tested, and iterated.

In the research phase, we interviewed Dr. Grigsby-Toussaint to find her priorities: quantitative data, an easy and secure attachment, a long lasting battery, and visually appealing. Being visually appealing was especially important, as the monitor was to be mounted in a low income community with many immigrants. With the fears of deportation due to the political climate, it was of utmost importance that the monitor did not evoke fear in residents.

Our final product was a laser-cut acrylic box housing CO, NO2, and PM2.5 sensors. Key features include a rain cover for New England weather, internal and external foam supports, labels in English and Spanish, a velcro strap attachment, a rechargable lithium battery, and cloud based data that is wirelessly uploaded.

My primary role in this project was CADing. As the team member with the best CAD skills, I created all the digital models and drawings of our box in SolidWorks, as well as the Adobe Illustrator files used to laser cut the acrylic. Sydney Meza was in charge of electronics and coding, including figuring out how to wirelessly upload the data. Olivia and Angela were primarily in charge of physically building the prototype and testing, including drop tests and water tests.

Final CAD Drawings

Process Photos

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Folding Stage

I made a folding stage during the Spring 2024 semester as a component of my final project for a props-making class. It served as a compilation of many of the skills I learned through the semester, including woodworking, metalworking, and welding.

This project was based on Dog Act by Liz Duffy Adams, in which the main characters work as a traveling entertainment group, complete with their own stage. Thus, I created a 6’x12′ stage that folds up to 3’x6′.

Aside from refining my practical skills, the main lesson I learned from this project was the importance of tolerance. The underside of the stage has legs welded to the inside face of the structural beams, which originally prevented the stage from fully folding. To remedy this, I cut a bit off from the outwards-facing section of the legs, which allowed the stage to fold as was intended

Process Photos:

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Lightroom

The lightroom project, completed in Fall 2024, explores how light enters a space and how it affects the experience of the space. The goal of this project was twofold: to learn basic model making skills using foam board and to understand the diffusion of light in a closed space.

Another consideration was how the light would guide someone through the space. Because the right wall does not extend all the way to the floor, light is reflected from the other side. This creates a sense of intrigue, encouraging people to continue down the hall and to the right to find the “hidden” space. Additionally, the asymmetry of light on the left side of the back wall is a bit unsettling, pushing people towards the right, where the space continues.

Through this project, I learned how to work with foam board, the importance of iteration and exploration, and how light can alter the experience of a space.

Process Photos:

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Space Planning

Through the space planning project, completed in Fall 2024, I took the exterior of a building designed in a previous assignment and designed the interior. The goal of this project was to develop technical skills using the 2D tools in Rhino and to gain experience with domestic layouts and circulation. As such, no considerations were given to structural elements.

One of the main challenges of this project was taking into account the curved wall when planning the space in the second floor. Due to both regulations and practical concerns, the back half of the second floor was unusable, significantly decreasing the amount of living space. I chose not to cut off the space with a wall so that the curve of the space could still be read from the inside.

Through this project, I learned how to represent 3D spaces through 2D cross sections, both mentally and physically. Additionally, I got an introduction to circulation and learned some of the regulations and conventions for designing a usable home.

Process Photos:

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This is me: Photography

My photography journey began my senior year of high school, when I needed to take one more class to complete my arts credits. Photo 1 ended up being that last credit, and I liked it enough that Photo 2 followed.

My high school photography was okay, I think. Lots of practice, playing around with settings, and starting to develop a photographer’s eye for looking at the world. But I was invested, and my graduation present was a camera.

At first, I didn’t use my camera much in college. Adjusting to university life, keeping up with classes, and a couple clubs kept me busy. One of said clubs was Taekwondo, and I ended up using my camera for the first time that semester at a tournament in mid-November. The club likes having photos for record keeping, publicity, and just so that the members can have cool pictures of themselves, and I was super happy to contribute to that.

Let me tell you, my photos from that first tournament were utter garbage. Seriously, the combination of it being my first tournament, my first time seriously taking sports photos, no guidance on it, and the fact that we were hosting the tournament made for an incredibly overwhelming day. And incredibly shitty photos.

Taekwondo is not held in optimal lighting conditions, to say the least. We’re usually in a space too tall for the lights to be that effective and too large for any useful reflections off the walls. Putting that with me not being prepared at all, well, I got a bunch of dark, blurry, and incorrectly timed photos.

It wasn’t even just that the photos were bad, but editing them didn’t even occur to me. So I had about a thousand bad photos that were uploaded straight to the shared drive. On top of all that, I didn’t even sort them by person – didn’t even realize that was something that would help the club. I cringe a little looking back at it.

Luckily, I wasn’t the only photographer in the club. There were two others, a senior and a junior, whose photos I combed through and tried to imitate.

My next tournament, in February, I used burst mode and sorted the photos in the drive. At Nationals in April, I also edited them, basically copying the senior that I had grown closer to during the trip (PhanVan for the win!). There was a world of difference between my photos from November and April, and I will be forever grateful that my first year overlapped with two other photographers.

Stepping away from Taekwondo, I also like to shoot nature. It began with flowers, as they’re plentiful and relatively still. I’m especially proud of my picture of a dandelion.

This was the first picture that made me think, “Hey, maybe I’m actually decently good at this.” I captured the thin threads in a way I didn’t think I could actually do, and the flower stood out from the backdrop of leaves just like in “real” photos.

It’s not perfect, and looking back at it I can see that I’d want to change my aperture, make the edges of the flower look a bit less like fur. But it holds a special place in my heart all the same.

Flowers are great, but they’re more of a step towards what I really want to take pictures of than the end goal. I want to shoot animals, maybe insects. Bring a subject off the page, but also show why it’s right where it belongs.

I’m also a bit partial to a dark green background, if it wasn’t obivous.

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This is me

This is me: Sexual and Romantic Orientation

Exploring sexuality as an asexual person is quite an interesting experience. For me at least, it just didn’t matter for a long time. I never had to think about it because I wasn’t interested in a relationship or hookup. Even when I joined the GSA club in seventh grade, all the stories I heard were about a person being someone’s ‘gay awakening’ or them knowing for a long time that they liked people of the same gender, even if they never had a word for it. And I figured that if I didn’t have these experiences, then I was straight.

That wasn’t the case, evidently, but that is what growing up in a allonormative and heteronormative society will do. I’d say that most people don’t even know what the word ‘allonormative’ means. Just like people don’t really have to think about their heterosexuality if they’re straight, people don’t have to think about their allosexuality if they’re allo. Living in a world where you are the norm makes it unnecessary to think about what else there is.

And when you’re not the norm, it can be hard to recognize that unless you happen upon similar people’s experiences. So, I thought I was straight for a while. Then around ninth or tenth grade I thought I was bi because I realized that I didn’t like guys any more than I liked girls. But in eleventh grade, I realized that that was because 0 = 0.

This is where the internet really stepped up. I learned about asexuality and a bunch of labels on the ace spectrum. For a bit, I was trying to find myself in a label more in the middle. Maybe I was demi, or gray-ace, or one of the many other identities that wouldn’t mean I was completely, one hundred percent different from the majority of the world. But eventually I concluded that nope, I’m asexual. And while we’re at it, I’m sex-repulsed.

It made a lot of sense once I thought about it. For the longest time, I thought sex was something people made up for movies and such, like laser cannons or talking cars or unicorns. How could it be a real thing that real people actually liked? It seemed gross and painful (still does, honestly). When I finally accepted that people do actually have and think about sex, the world became a very uncomfortable place to live in.

You see, I don’t want to be able touch sex with a fifty foot pole. I don’t want to be associated with having sex, with being sexy, or with wanting sex. And the fact that I am lumped into the group of people who do makes me feel uncomfortable in my own skin. I want to take everything on my body associated with it and just make it disappear. But I can’t do that, and I can’t control other people’s thoughts, so there’s no real solution (at least, that I’m aware of. If you think of something, let me know).

I’m not really sure why this has such a big impact on me. Maybe because it feels like I’m fundamentally different from so many others. Maybe because of how much sex and relationships are talked about in high school and college. Maybe it doesn’t need a reason.

Being aspec can be an isolating experience for some, as it’s harder to knowingly find other aspec people without explicitly discussing sexuality. I was lucky in that a couple of my high school friends are aspec, so it never felt like I had absolutely no one to relate to. Also, as I recently found out, the majority of my college friend group is aspec! It’s really interesting how we gravitated towards each other, even without knowing it at the time. My theory is that because we almost never talk about sex or romantic relationships, we find it more comfortable to be around each other than non-aspec people.

Simply due to allonormativity, I’ve been surrounded by conversations about hookups and physical attraction, but more than that, I’ve heard about crushes and romantic partners and dates. Romantic orientation is again something that many people don’t have to think about because it often goes along with sexual orientation. For me, it does; for others, it doesn’t. But even as an aromantic person, I’m not romance-repulsed. Orientation is about attraction, so I’ve never had a crush (what even is a crush?), but I don’t dislike the idea of having a partner.

I don’t know if this is a common aro experience, but it’s hard to imagine myself in a relationship without feeling some guilt. I know that aro people can be in romantic relationships just like ace people can have sex, but I wouldn’t feel for them what they feel for me (assuming they’re alloromantic). Even if I love them in a non-romantic way, I feel like I’d be depriving them of being loved in a way that they might want. And this is an issue that I would not bring into a relationship. Also, I’ve seen that when people get into a relationship, their friendships tend to suffer. Not on purpose, but people will want to spend more time with their partner, often at the expense of time with their friends. I value my friendships so much, and they already fulfill everything I could want.

I’m perfectly happy being single and not mingling.

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This is me

This is me: Kpop

Diving into Kpop has been such an adventure for me. I first started listening in early 2020 because of a soloist named AleXa, who had debuted only a couple months prior. I don’t remember how her music video for Bomb showed up, but it hooked me from the start.

It was the start of a rabbit hole, and I tumbled in without noticing how deep it went. AleXa, BLACKPINK, and BTS were my introduction to the Kpop world – the artist who had showed me the genre and the two biggest acts globally.

The whole Kpop culture was quite odd to me at first. I was someone who was pretty oblivious to pop culture, and I guess I still am, to a lesser extent. I focused more on the product – the song, the movie, the TV show, etc. – than the people in it. If you showed me a celebrity’s picture, odds are that I wouldn’t be able to name them, which is why I was taken aback at the culture of knowing tons about the idols. It seemed unnecessary and invasive, which, in some ways, it is, even more so than American celebrities.

Nevertheless, seven men somehow gained the power to make me smile. Maybe because they had so much more content than AleXa or BLACKPINK, maybe just by chance, but either way, BTS became people I cared about, people who made me happy just by being happy. It’s the same kind of joy I feel when I see my friends laughing together or when I see my brother having fun with his teammates. A deep seated fondness.

I ran away from it when I first realized. It’s scary, the idea that people who are halfway across the world and completely unaware of your existence can affect you emotionally.

But I kept coming back to the fact that they made me happy.

Why should I hide from something that makes me happy and isn’t hurting anyone else? So, I listened to their music, watched their videos, and accepted them into my life. I let them make me happy and let them send their messages to me through music.

Their music isn’t necessarily deeper than other artists, nor is it inherently more meaningful. But because I spent the time looking at lyrics and translations, the messages in the music were more prominent in my mind. With English songs, it’s easy to memorize the words without actually thinking about them, but songs in another language require more attention. Once BTS started releasing songs in English, it was already a habit to read the lyrics and understand the message, so I did spend the time to think about what they were trying to say.

This doesn’t only apply to BTS, by the way. I use them as the example because they’re the first artist I connected to on a level deeper than ‘I like your music’, and because they’re still the artist I connect to the most, but plenty of other artists have a similar effect. Maybe the same phenomenon even happens to non-English speakers when listening to English music.

Aside from lyrics, Kpop astounds me with performances. The synchronization within groups and between artists and backup dancers is astounding, and the choreography is definitely not a walk in the park. I’ve learned a few Kpop dances, and as a non-dancer athlete, it was pretty hard. For me though, the most awe-inspiring aspect of Kpop performances is the staging.

The artists will almost always have a custom or personalized set during performances, whether they’re at large, year-end awards shows or weekly music broadcasts. The background, the outfits, and the concept are all carefully tied together to create exceptional performances. For example, here’s part of a year end performance at the MMAs from 2019 – it’s definitely worth watching.

Kpop performances actually inspired me to think about Entertainment Engineering as a possible track for my education. I think it would be insanely cool to help build the stages and sets that people’s favorite artists perform on. Both designing sets and actually bringing all the crazy ideas to life seem like challenging but rewarding work.

In Kpop, it’s never about just one aspect – of an idol, of a song, of a performance. It’s about both meaningful connections with fans and putting on spectacular performances.